Sunday, April 19, 2015

Magical Realism Interviews, Part 1

Elaine Carter, a good friend of mine, is a life-long academic, an obsessive reader, and a dedicated teacher. I had the good luck to interview her briefly, over a personal messenger. These are her stories.

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1. Could you describe your background in literature and education?

I graduated high school but have no college education. I'm a substitute teacher and I love teaching history and literature. The school is familiar with my habit of bringing my Kindle with me wherever I go.

2. What does the genre of Magical Realism mean to you?

Magical Realism is sort of a cross between literary fiction and urban fantasy. There's nothing as fantastical as biker gang wizards, but there is an undercurrent of magic and miracle beneath the main storyline.

3. Please name one of your favorite books that uses Magical Realism, or one of your favorite authors. Why is this book or author special to you? What do they do exceptionally well?

The Ocean at the End of the Lane, by Neil Gaiman. The author combines the fairy-tale feeling of memories with the realism of adult retrospective on a terrible, abusive episode from the protagonist's childhood. Neil Gaiman is one of my favorite fantasy authors because of how well he evokes the mystical and the collective unconscious across a wide range of fantasy genres. This book in particular became very personal to me when it triggered my own flashbacks of abuse that I witnessed and was a victim of.

4. What part of the message from the literature in question 3 was important to you? What do you like about the way the message was stated?

The Ocean at the End of the Lane is an important book to me because of how it breaks open old mental and emotional wounds to help heal them. Many people, especially people for whom fantasy has often been an escape, have lived through abuse, and this book both illustrates and heals it.

5. If you had to recommend a book with Magical Realism to someone new to the genre, which one would you pick?

The Golem and the Jinni, by Helene Wecker. [The novel is] primarily literary fiction, but the main characters are the titular fantasy beings, stuck in historical New York with all the baggage, positive and negative, of their cultural mythos. The author is a Jew married to a Muslim-- the story is one that addresses, in the safer setting of Magical Realism, the cultural barriers between the two worlds.

(E. Carter, personal communication, 2015, April 18)


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